Works

If you would like to perform any of my works, or you want to commission a work, please contact me at:

harrymatthews2@outlook[dot]com

Creative Commons License  Some of these scores are available for download, licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). Please see a summary of the license here.

2020

Filtered Reality (GOCODER) for electric guitar, ableton + max and two stereo loudspeakers [variable duration]
For Ben Jameson
Coming soon


Filtered Reality (home and away chords) for viola, ableton and two stereo loudspeakers [variable duration]
For Caitlin Rowley
Coming soon


Filtered Reality (location and date) for double bass, ableton and two stereo loudspeakers [6’30’]
For Daniel Molloy
First performed in isolation 29th June 2020, London, UK


Phrased Phase for Virginal and Field Recordings [6′]
For Jane Chapeman
POSTPONED performance at the Horniman Museum, London, UK


2019


Sound, Unseen installation [6′]
For Leith Hill Place, National Trust Site
Installed at Leith Hill Place from September-October 2019 in Surrey Hills, UK


Downward Signs for string quartet [11’30”]
For the Bozzini Quartet
Workshop performance 26th November 2019 at the Turner Sims Concert Hall, Southampton, UK


listening-in-search of a distraction for keyboard, percussion and on/off devices [variable duration]
For GBSR duo
Workshop performance 24th June 2019 at the Turner Sims Concert Hall, Southampton, UK


locating and listening, playing and stopping for four vibraphones [9′]
For Nebula Percussion Quartet
First performed 16th May 2019 at Guildhall School of Music & Drama, London, UK


For Juliet for voice and field recordings [variable duration]
For Juliet Fraser
Workshop performance 26th February at the University of Southampton, Southampton, UK
Recorded with the generous support from AHRC SWWDTP


2018

For James – listening [7am-9pm]
For James Saunders
First performed 27th November 2018 in Portishead, UK


electric guitar, in Southmead (1m55sec) for electric guitar and two stereo loud speakers [15’00”]
For Ben Jameson
First performed 29th March 2019 at Post-Paradise Concert Series in the Centrala Gallery, Birmingham, UK


three short pieces for anton for cello [variable duration]
For Anton Lukoszevieze
First performed 8th September 2018 at CAMP, Aulus-les-Bains, FR


2017


rep-roll-trade for three snare drums [21’00”]
For Line Upon Line
Workshop performance 6 March 2017 at the Turner Sims Concert Hall, Southampton, UK


fan city beat for mixed percussion, sampler keyboard and pre-recorded audio playback [8’00”]
For Charlie Chart
First performed 30 May 2017 at the Turner Sims Concert Hall, Southampton, UK


please find a partner for three melodicas, electric guitar and percussion/score keeper [variable duration]
For OUT-TAKE Ensemble
First performed 22 April 2017, at the Ludomusicology Conference, Bath Spa University, Bath, UK


2016


actively listening to me  for flute, bass clarinet, synthesiser, vibraphone, violin and cello [7′-10’00”]
For Ensemble Paramirabo
First performed 22 November 2016 at the Chapelle historique du Bon-Pasteur in Montreal, CA


2015


Natural to Concrète for two pianos and two percussion [10′]
For the Crumb Quartet
First performed 22 January 2016 at the Turner Sims Concert Hall, Southampton, UK


Composer’s Words (N+7) for soprano and clarinet in Bb [4’30”]
For Juliet Fraser and Tom Jackson
First performed 4 December 2015 at Turner Sims Concert Hall, Southampton, UK


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